Painting for the book: “Must Paint Watercolor Flowers” – Part I

Rehearsal: Sketchbook pages

Rehearsal: Sketchbook pages

I was given permission to post some of my work on the upcoming book, “Must Paint Watercolor Flowers” (Quarto Publishers, London) for which I’ve been commissioned to paint three floral watercolors.  The painting is the easy part; taking the photos, correcting them in Photoshop, and writing about each of the steps takes much more time and isn’t nearly as much as fun. I thought I’d break this into a few posts so they won’t be too long.

My first step after being given my choice from a couple dozen excellent photos (which I’m not permitted to post) was to do some rehearsals in my sketchbook. I used several pages to experiment with how I wanted to approach the metal pitcher,  mixing colors for the leaves, the buds and the yellow-green flowers (above). Then I experimented with color mixtures for the orange flowers and the large amount of darks (below — combinations of Winsor Green and Alizarin Crimson, Ultramarine Blue and Burnt Sienna, Sap Green and Sepia, Winsor Green and Winsor Violet).

Rehearsal - Sketchbook p. 2

Rehearsal - Sketchbook p. 2

Next step was to transfer the photo to my watercolor paper. Initially I was going to make the painting small enough to fit on my scanner but decided to use the maximum size the publisher allowed since it was such a complex painting.  I chose a 12 x 16″ Arches 140 lb. cold press watercolor block  (block is easier to set up for photographing). If I’d been given more time and/or if the photo wasn’t so complex, I probably would have transferred the image by drawing freehand or using a “gridding up” method but with a two-week deadline I used a quicker method.

Transferring the photo to watercolor paper

Transferring the photo to watercolor paper

I enlarged the photo in Photoshop and printed it in sections (before figuring out I could have more easily used my copier to do the same) and taped them together. Then I placed a sheet of Saral Transfer Paper on top of my watercolor paper and laid the enlarged print on top of the Saral. Using a ballpoint pen, I traced over the shapes of the flowers, leaves, stems and shadows which transferred graphite lines from the Saral paper onto the watercolor paper.

Cleaning up the drawing

Cleaning up the drawing

See what I mean about how complicated the image is! I’d left too much of an overlap on the tiled together enlarged photo and some areas didn’t get a good transfer so had to freehand some of the drawing, clean up some lines and darken others. This is my new favorite mechanical pencil, the Papermate PhD Ultra.

Masking near the pitcher

Masking near the pitcher

I wanted to paint the pitcher wet-into-wet and so I applied Winsor and Newton Colourless Art Masking Fluid to some of the shapes around and projecting into the pitcher to make it easier to paint wet into wet more freely. I used a cheap disposable brush to avoid messing up my good ones. I prefer Cheap Joes Golden Fleece rounds for watercolor and even though they aren’t expensive, I don’t want to ruin them with masking fluid.

Pitcher painted, removing masking fluid

Detail: Pitcher painted, removing masking fluid

I like pulling off the mask with the rubber cement pick up tool. I think it’s made out of the same stuff Vibram shoe soles are made from. The pitcher and the table have had their first washes. Next step is starting on the flowers and that will be in the next post.

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About Jana Bouc

I am an artist who loves (and lives) to sketch and paint in watercolor and oils. I teach watercolor classes in the San Francisco Bay Area.
This entry was posted in Art supplies, Art theory, Drawing, Flower Art, Painting, Published work, Sketchbook Pages, Still Life, Watercolor and tagged , , , , , , , , , , . Bookmark the permalink.

10 Responses to Painting for the book: “Must Paint Watercolor Flowers” – Part I

  1. Bonny says:

    Jana, thank you for such a wonderful mini tutorial on how you transfer your drawing to the final support. I have to find some of that saral paer. It sounds a lot easier to use than rubbing graphte on the back of tracing paper (after you do the tracing).

    That DOES look like a rather complex painting. I wouldn’t be brave enough to even THINK of trying that one. I’m looking forward to your next installment of the process. Brava!!!

  2. Carol C. says:

    Looks like this is going to be a masterful painting!! What an honor, but deserved, to have your work published!

  3. Chloe Nichols says:

    A very good tutorial indeed. This will be a fine work and the publishers are lucky to have you contribute.

  4. kathryn law says:

    This will inspire many many people! Isn’t that a great feeling?

  5. victor says:

    Simple superb!Dear Jana you ahve enriched my life with your talentThanks

  6. sandy says:

    Wow, what a project, so interesting – thanks for posting this, I look forward to more installments.

  7. Gwendolyn says:

    Brava!

    I LOVE it! I love the pitcher, the subtle gradations in the flowers… the lovely halo around the center of the flowers…

    Oh, Jana, when will I have the courage and patience to tackle such a project?!?!?

    BTW I have transferred outlines to watercolor paper by
    ..1) printing in B&W on regular paper,
    ..2) outlining the shapes I need with a XF Sharpie,
    ..3) tracing the outline using XF Sharpie or a fine pencil,
    ..4) scanning the tracing and
    ..5) (this is the important part!) printing the scanned image on my watercolor paper. Great to be able to have as many identical originals as I want, and no carbon smudge to worry about.

    Can’t help being a techie, just can’t help myself. Oh, well…

    • Jana Bouc says:

      Gwendolyn, Thanks for the good suggestions. I’ve also scanned and then printed a drawing onto watercolor paper and it works pretty well. But you’re limited by the size of the printer paper it fits and that you can’t erase the lines (or have you found a way to remove them?). Jana

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