EDiM 8 and 9: Mirror Image (me in pitcher) and Shadow

EDiM 8 Mirror Image in Copper Pitcher, ink and watercolor, 7.5x 5 inches

EDiM 8 Mirror Image in Copper Pitcher, ink and watercolor, 7.5x 5 inches

This one was really fun to draw. It was a surprise to see that I was reflected twice, right-side-up and upside-down. I had to stack the pitcher on top of a box of kleenex on top of a box of rubber stamps.

EDiM 9 Mirror Image in Copper Pitcher, ink, watercolor, gouache, 7.5x5 in

EDiM 9 Mirror Image in Copper Pitcher, ink, watercolor, gouache, 7.5×5 in

I drew this in pencil sitting outdoors at a little round table in the sun.  I sketched in the shadow of the flower and painted everything with watercolor. By then the sun had moved and there were more shadows so I painted them in too. I didn’t like the way it messed up the composition so I brought the sketchbook into the studio and painted over table and extra shadows with gouache. It only partially hid the “mistake” but I decided I liked the way there’s a shadow of a shadow showing through.

I used rubber stamps for text on the page but got that wrong too (9, not 8) so just used the X stamp to cross out the 8. I love work that is fresh and just right on the first pass. This isn’t that, and shows a bit of the struggle. Sometimes that just makes things more interesting.

EDiM 6: Hand-Me-Downs from Mom and Grandma (3 tries)

EDiM 6-Relic: From Ma and Grandma's Kitchen, ink and watercolor 5x7"

EDiM 6-Relic: From Ma and Grandma’s Kitchen, ink and watercolor 5×7″

I wasn’t happy with the first two tries (posted below) for the prompt “a relic or something handed down from family” so started over with the simpler subjects pictured above: my grandmother’s yellow mixing bowl; a serving spoon with part of its pink handle broken off and my favorite spoon that I eat with all the time, both remnants of my mother’s 50s kitchen with their pre-plastic Bakelite handles. And last, my grandmother’s beat up old jar opener that she used to pop open her homemade dill pickle jars. I use it all the time to open jars and think of her each time I do.

EDiM 6-Relic: 3-hole vase and roses #2, ink and watercolor 7x5 in

EDiM 6-Relic: 3-hole vase and roses #2, ink and watercolor 7×5 in’

Above is my second attempt, some roses from my garden in a little vase my mother gave me. It’s really complicated with “arms” reaching around and circling three round-bellied vessels, all connected.

Below is the first attempt, sketched outdoors in blinding sun that messed with my judgment of color and value. Also below is an attempt at drawing what the vase looks like from a different perspective. Also a fail.

EDiM 6-Relic: 3-hole vase and roses #1, ink and watercolor 7x5 in

EDiM 6-Relic: 3-hole vase and roses #1, ink and watercolor 7×5 in

The color of the roses was so pretty…much nicer than anything I could paint.

Photo of vase and flowers I sketched from life

Photo of vase and flowers I sketched from life

Spring Things and not so Spring-y Things (Self-Portrait)

Figgie 2014, ink and watercolor, 8x5.5 in

Figgie 2014, ink and watercolor, 8×5.5 in

This little fig tree has survived so much: being transplanted, then a killer frost, and then transplanting again after sewer line work. As soon as leaves sprouted this year so did two figs. Sadly the crows or squirrels (or the toddler next door?) took them before I could even post this.

Little Rose Studies, ink and watercolor, 7.5x5.5 in

Little Rose Studies, ink and watercolor, 7.5×5.5 in

I sat in the driveway and quickly sketched some roses but had to stop when the shadow of the house took away the light.

End of Journal Self-Portrait, graphite, 5x7.5 in

End of Journal Self-Portrait, graphite, 5×7.5 in

And then there’s my not so spring-y self, frowning into the mirror, with hat-head and something wrong with the mouth. And yes, it’s intentionally buried at the bottom of this post. It feels good to be drawing again, after what seems like months away from it. It’s also a little frustrating feeling rusty at it. But the only fix for that is more drawing!

Stolen Roses, oil painting on panel, 8x8"

Stealing Roses Again

Stolen Roses, oil painting on panel, 8x8"

Stolen Roses, oil painting on panel, 8×8″

There’s a mysterious house on my block that has been empty but well maintained for several years. The mailman delivers mail and the gardening service keeps things nice and neat but I never see anyone go in or out.

Their roses and fruit trees are blooming but there’s nobody home to enjoy them. So I stopped by with my scissors to give the roses a little respect by painting them, even if it means stealing them (as I’ve done before). These were yummy fun to paint!

Persimmon & Silly Pseudo Summer Rose

Persimmon-Rose Sketchbook spread, ink & watercolor

Persimmon-Rose Sketchbook spread, ink & watercolor

If we don’t get a real fall or winter this year, maybe I can just draw fall and winter colors in my sketchbook? I got inspired by Apple-Pine’s persimmon sketching obsession to sketch (and eat) some persimmons of my own.

Number One Persimmon, ink & watercolor, 7x5"

Number One Persimmon, ink & watercolor, 7x5"

I really like the way this page turned out with the gold pen over the purple paint on the bottom that I originally added to correct a drawing/design problem, and the way the shadow (from something else on the table) kind of looks like a big number one.

Silly Pseudo Summer Rose, ink & watercolor, 7x5"

Silly Pseudo Summer Rose, ink & watercolor, 7x5"

It was over 70 degrees F today and my roses are so confused. Earlier this week we had a brief shower and a bit of cold but otherwise, it’s still not winter. I know: be careful what you wish for!

Will You Accept This Rose? Yes, Finally. Watercolor, 7x5"

Will You Accept This Rose? (War of the Roses Part II)

Will You Accept This Rose? Yes, Finally. Watercolor, 7x5"

Will You Accept This Rose? Yes, Finally. Watercolor, 7x5"

After all the struggles of the previous day, I was determined to succeed in painting a rose and decided to give myself a break. First I rearranged the colors in the palette, putting them in my prefered, mostly color-wheel order instead of helter skelter as they were, and replaced several colors (see below for color chart).

Revised Schmincke Palette chart

Revised Schmincke Palette chart

(WN=Winsor Newton, S=Schmincke, DS= Daniel Smith, H=Holbein):

Top Row: WN Transparent Yellow, S Cadmium Yellow Light, DS New Gamboge, S Cadmium Red Light, WN Permanent Alizarin, WN Permanent Rose.

Middle Row: WN Violet, S Ultramarine, WN Cobalt Blue, H Cerulean Blue, WN Winsor Blue, DS Indanthrone Blue.

Bottom Row: S Thalo Green, WN Sap Green, S Yellow Ochre, WN Burnt Sienna, DS Indigo, S Titanium White (the latter will probably be removed since I’ve never successfully been able to incorporate white into watercolors).

Second to Last Rose Test, ink & watercolor

Second to Last Rose Test, ink & watercolor

The other thing I did to give myself a break was that after I made the second to last rose sketch above from life, I decided to work from a photo of the rose. Read More

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